Na blogu publikujeme teoretické reflexe aktivit Centra choreografického rozvoje SE.S.TA. Ve spolupráci s umělci z oblasti tance a souvisejících oborů shromažďujeme a reflektujeme materiál v naší dynamicky se rozvíjející profesi. Snažíme se porozumět tématům a fenoménům, které ovlivňují uvažování umělců a jejich uměleckou tvorbu. A tak obohatit kolektivní znalosti našeho oboru.
“Napětí mezi jednotlivcem a skupinou v choreografickém pojetí” bylo téma Pedagogického semináře 2022, který již tradičně pořádá SE.S.TA každým rokem na jaře. Seminář vedl Jean-Christophe Paré (FR), který patří v oboru analýzy choreografické tvorby mezi skutečnou špičku. A já měla možnost se s ním setkat mimo jiné i v tomhle výživném pedagogickém procesu.
Topic about public and intimate space emerged as theatrical space for dance and performing arts was challenged during the pandemic times. Artists around the world were searching for new ideas, concepts, or forms to stage their performances. Artists craved connections to the outside world and to their local communities, as did audiences. As theatres closed, artists were challenged to find new forms, venues, places or spaces to perform and share their work. The urge to share artwork was inevitable.
I’ve talked with Eva Urbanova - dancer, choreographer, dance maker who was one of the residents taking part on this year Coaching Residencies about her work on the piece which she recently presented as her final work on HAMU ( Academy of Performing arts - Music and Dance department). We've dwelled into the process of her work and topics she was addressing in her work together with eight performers coming from different backgrounds. We’ve talked about the numb hectic skin avoiding encounter and vulnerability of becoming intimate with the other in her choreographic process.
